I was a bit stumped for a subject - not wanting to use the theme of clocks. In the end I decided to try a different version of the plein air drawing I did at the beginning of this month - The Mechanics Institute, which has fallen into disrepair and has a very uncertain future.
On the Hahnemuhle Britannia watercolour paper, I applied a background of well diluted acrylic inks (red earth and purple lake). The drawing was transferred using an Edding Profipen, then the surface was randomly lino printed with white gesso - I wanted texture, but it needed to be more subtle than my previous attempt (above). Several layers of watercolour were added, then I resorted to some Anilinky paints by Koh-i-Nor which I have had hanging around for ages - these produce strong colours, but I am not sure of their permanence. The foreground foliage wasn't working and in my impatience I scribbled over it with a black Posca pen making it even worse! An off-white Posca pen helped to cover up the black, topped by some white Anilinky paint before re-colouring the area.
The Hahnemuhle paper didn't buckle at all, and the surface stood up excellently, despite the amount of over-working I subjected it to.
|Approx. 9" x 7"|