Saturday 24 February 2018

Yellow background experiment

I often randomly paint sheets of paper to use for my handmade books.  On this occasion I chose a large sheet of Hahnemuhle mixed media bamboo paper, thoroughly wetting the surface then allowing inks to blend together.  My favoured colours are pinks, blues or greens, but for a change I decided that yellow would be the dominant colour.  Once dry, I overprinted with white and tinted gesso using home-made foam stamps, then splattered with gold ink.

A portion of the background paper

I thought this might prove an interesting background for a painting.  I cut out a 9" square and  drew out my subject with a watercolour pencil, glazing with fluid acrylics, both negatively and positively, to render the roses and background.  I am not sure about pink printed dots, but definitely a technique worth further exploration.




Wednesday 21 February 2018

Wednesday 14 February 2018

Brooklyn Sketchbook Library

Time is racing by and our Swindon Urban Sketchers entry is due to be posted within the next couple or so weeks.  We still have a few pages to fill and I have added a 4th sketch which can be glued into the book if contributions are still short.

Wayland's Smithy, on the Ridgeway Long Distance Path
Watercolour, gouache, pen and white crayon on Hahnemuhle grey paper

The Ridgeway is a prehistoric travellers' route, stretching 87 miles from West Kennet in Wiltshire to Ivinghoe Beacon in Buckinghamshire and is very popular with leisure walkers to this day.  

Wayland's Smithy is a Neolithic long barrow situated on the path a few miles from the Wiltshire border.  There are many legends about the site, dating back over a thousand years, and this was recorded in 1738 by the antiquary, Francis Wise: -
'At this place lived formerly an Invisible Smith, and if a traveller's Horse had lost a Shoe upon the road, he had no more to do than to bring the Horse to this place with a piece of money, and leaving both there for some little time, he might come again and find the money gone, but the Horse new shod'.

Wednesday 7 February 2018

Hahnemuhle watercolour postcards

At the end of last year, Hahnemuehle sent me a tin of their watercolour postcards (30 size approx. 6" x 4").



I always have trouble finding suitable birthday cards for male relatives, but for my brother-in-law this year I used one of these postcards and popped it in with his gift.  On a recent visit to their cottage in the wilds of Wales I had taken a photograph of his prized Massey Ferguson tractor - an ideal subject for his birthday greeting.

Pen and watercolour -
 (birthday greetings were added later in the top lefthand corner)

Saturday 3 February 2018

February Sketch Outing

A very damp, grey day, but our local sketching group had permission to use Swindon's old Town Hall building which now serves as a dance/drama studio.  Unfortunately, we weren't able to sketch any of the activities taking place - lots of youngsters milling about coming and going from their various classes within the building.  We were restricted to the foyer and the first floor landing, with most of us taking in the architectural and stained glass window details, although one or two took advantage of the framed photos of ballet dancers to try out some figure studies.

Watercolour, pen and oil crayon on Hahnemuhle grey paper -
I've only hinted at the complexity of the stained glass window
Watercolour marker and oil pastels
Marble statue of Charlotte Corday -
 by 19th Century sculptor Mich' Ioretti
This beautiful and unusually posed statue greets you in the entrance hall.  I'm afraid my photo is very out of focus, and my brief pencil sketch doesn't do her justice.


During the French Revolution, Charlotte was executed at the age of 25 for the assassination of the Jacobin leader, Jean-Paul Marat.  She believed she could save thousands of lives by ridding France of the more radical and violent faction of the Revolution.